3 research outputs found

    Non-determinism in the narrative structure of video games

    Get PDF
    PhD ThesisAt the present time, computer games represent a finite interactive system. Even in their more experimental forms, the number of possible interactions between player and NPCs (non-player characters) and among NPCs and the game world has a finite number and is led by a deterministic system in which events can therefore be predicted. This implies that the story itself, seen as the series of events that will unfold during gameplay, is a closed system that can be predicted a priori. This study looks beyond this limitation, and identifies the elements needed for the emergence of a non-finite, emergent narrative structure. Two major contributions are offered through this research. The first contribution comes in the form of a clear categorization of the narrative structures embracing all video game production since the inception of the medium. In order to look for ways to generate a non-deterministic narrative in games, it is necessary to first gain a clear understanding of the current narrative structures implemented and how their impact on users’ experiencing of the story. While many studies have observed the storytelling aspect, no attempt has been made to systematically distinguish among the different ways designers decide how stories are told in games. The second contribution is guided by the following research question: Is it possible to incorporate non-determinism into the narrative structure of computer games? The hypothesis offered is that non-determinism can be incorporated by means of nonlinear dynamical systems in general and Cellular Automata in particular

    When Video Games Tell Stories: A Model of Video Game Narrative Architectures

    No full text
    In the present study a model is proposed offering a comprehensive categorization of video game narrative structures intended as the methods and techniques used by game designers and allowed by the medium to deliver the story content throughout the gameplay in collaboration with the players. A case is first made for the presence of narrative in video games and its growth of importance as a central component in game design. An in-depth analysis ensues focusing on how games tell stories, guided by the criteria of linearity/nonlinearity, interactivity and randomness. Light is shed upon the fundamental architectures through which stories are told as well as the essential boundaries posed by the close link between narrative and game AI

    When video games tell stories: a model of video game narrative architectures

    No full text
    In the present study a model is proposed offering a comprehensive categorization of video game narrative structures intended as the methods and techniques used by game designers and allowed by the medium to deliver the story content throughout the gameplay in collaboration with the players. A case is first made for the presence of narrative in video games and its growth of importance as a central component in game design. An in-depth analysis ensues focusing on how games tell stories, guided by the criteria of linearity/nonlinearity, interactivity and randomness. Light is shed upon the fundamental architectures through which stories are told as well as the essential boundaries posed by the close link between narrative and game AI.En este estudio se propone un modelo que ofrece una categorización comprehensiva de las estructuras narrativas del videojuego concebidas como los métodos y técnicas que emplean los diseñadores y que permiten al medio ofrecer el contenido de su historia a través de la jugabilidad en colaboración con los jugadores. Se presta especial atención a la presencia de la narrativa en los videojuegos y a su importancia creciente como componente central del diseño del juego. Un análisis profundo se centra en cómo los juegos cuentan historias en función de los criterios de literalidad y no linealidad, interactividad y aleatoriedad. Se arroja luz sobre las arquitecturas fundamentales a través de las cuales las historias son contadas así como también los límites impuestos por la estrecha relación entre narrativa e inteligencia artificial del videojuego
    corecore